6/15/11

AVENGERS #14—Bendis’s mighty talking heads return to tell us how it all went down in their tonally pitch-perfect voices. My favorite panel was Logan’s take as to what makes you an Avenger. If Wolverine makes a declarative statement while pointing at you and holding a beer can with the same hand, it’s doubleplus gospel. And okay, I suddenly almost care about the Red Hulk, as silly as the concept sounded to me when I heard about Loeb’s run. JRjr draws the hell out of the Red Hulk/Worthy Thing smashup. Of course. And man, the tower just goes down, kind of makes you wonder what they’ve got planned to up the stakes for the back end, here.

THE INVINCIBLE IRON MAN #505—Yeah, it is getting pretty biblical around these parts. Beautiful pages from Larroca and D’Armata, as usual. That last shot of him flying off is something else.

UNCANNY X-MEN #538—Fantastic conclusion to Gillen’s first solo arc. I love love love the work that he and the Dodsons have been doing. I’m sure that nostalgia for the halcyon days of the characters/franchise is playing a large part here, but if you can make me feel 23 years younger by the judicious application of corporate characters, then I say, Good on you. It’s interesting how it all comes around, Whedon seemed to start Buffy out as a Kitty Pryde analogue, then got the chance to script dialogue for the original a few years later. Now, this last scene by Gillen channels the Whedon tone to perfection. This is as much as I’ve enjoyed this flagship title in monthly form since I first stumbled into the last three years of Claremont’s run. I hope they never cancel it.

GENERATION HOPE #8—More Gillen goodness. Espin’s art is a little bit looser and cartoony than I prefer, but I can maybe rationalize it by glancing at some old Blevins NEW MUTANTS pages. Gillen seems to be building something here, having a good idea about where he’s taking these characters, and I’m interested to see what’s next.

X-FACTOR #221—As good as this series always is, David always trumps everything that follows with the bit of silly on the recap page, this one pumping me up more than usual, as I am also making my way through Watterson’s three-volume collection of CALVIN & HOBBES. I heard Leonard Kirk got assigned to this, fantastic news.

LEGION OF SUPER-HEROES #14—Only one DC book? That’s got to be some kind of record for me. This was cool enough, didn’t crush me, but solid. But what’s the deal with the two Mon-Els on the last page? I missed something.

****
BEST OF WEEK: KIRBY: GENESIS #1—This more than delivers on the promise of the zero issue as we fast forward a few years to our protagonist’s college years, at which point all the Kirby madness immediately starts erupting down from the sky, because where else? The pace is still batshit insane, with characters and origins dropping in left and right, but I don’t want my distilled Kirby any other way. I could use a little more Ross art in these pages, but I like what this Jack Herbert guy’s doing. Particularly since, you know, they could have tried to get Tom Scioli to do just a straight Kirby style, but he’s already doing GODLAND and the most Kirby thing to do is to not hire an artist to replicate Kirby’s style, but rather get someone who does their own thing. This one’s a lot of fun with the promise of much much more to come.

6/08/11

NEW AVENGERS #13—Bendis and his split art team bring this second arc to a close. As incongruous as Chaykin and Deodato’s styles are, they both suit the story’s they’re telling, so while the transitions are at times a bit bumpy, the end result is satisfying. Deodato continues to knock it out, though his style is without doubt a better fit over on SECRET AVENGERS with all those shadows just screaming clandestine. Bendis again takes a single panel to stake his claim as absolute conduit to the voice of Peter Parker, that “That’s copyrighted” line, just a thing of perfection amidst all the shuffling. It continues to be enjoyable watching Luke Cage run his own team, but I’d sure like those oral histories to come back and make me feel better about that extra dollar I’m paying every month for the pleasure.

FRANKENSTEIN and the CREATURES OF THE UNKNOWN #1—Anyone grousing that this is nothing more than a monster book set in an alternate timeline that won’t even “matter” in three months has never read SUPERBOY or THE ESSEX COUNTY TRILOGY. Aren’t the best stories generally self-contained? Ibraim Roberson and Pete Pantazis turn in some lush work with a definite European feel that augments the material. Lemire gets a lot done in this issue, we meet the team, get them set up, put down, and back up with a new mission to accomplish, leaving us just the last splash to meet our heroic antagonist. While not being anywhere near as insane as Morrison’s take a few years back, and no foul, there, this is good clean monster fun that I have no problem recommending, even though it’s a bit light on characterization.

MORNING GLORIES #10—Now, I quite liked this one. Of course, a closing conversation like that, I’m a sucker for that trick, every time. This one’s been lagging a little bit in the –centric done-in-ones, curious given Spencer’s apparently fanatical devotion to L O S T, but we’re picking up a little speed here as we come around the turn. I’m positive this is all going to make much more sense in a marathon gulp.

THE UNWRITTEN #26—In which our heroes succeed and a nun who is not a nun creeps the hell out of everybody. I like how this was just a two-part get-in/get-out kind of thing. No reason to drag things out. I assume DC’s massive relaunch is leaving Vertigo proper alone, at least, I very much hope this is the case. It would be a shame to lose this one because of corporate. It continues to be indispensable for those of us who will forever fall under the charm of stories about stories and how they reflect the ones who read with their eyes and hearts open as wide they can manage.

JOURNEY INTO MYSTERY #624—Yeah, man, Gillen continues just to tear this one apart. I’ve always been in his corner and rooting for him on his ascent ever since reading the cover of PHONOGRAM vol. 2 #1, but he is simply firing on all cylinders here. Freaking me out with it, I mean. I don’t think Loki was this compelling under Simonson. Which I’m thinking means No More Calls, we have a winner. The art remains breathtaking. A quality Marvel comic for you right here, folks, surely the best random FEAR ITSELF tie-in on the rack (at least, unless and until Bendis just goes apeshit next month on AVENGERS, which is certainly within the realm).

****

BEST OF WEEK: AMERICAN VAMPIRE: SURVIVAL OF THE FITTEST #1—I was going to wait for the trade on this, but it was in my Pull and a light week, so I figured what the hell. And so so glad, because I had no idea Dave Stewart was coloring this until I cracked it open tonight. That’s Dave Stewart. Coloring Sean Murphy. JOE THE BARBARIAN, y’all! It’s mainly set-up as we meet Jim Book’s little girl, all grown up and continuing Daddy’s work, but Snyder is so deft with the beats and these guys instill every panel with so much electric that it still comes out on top this week, Stewart granting the final momentum necessary to surge past Lemire and his monstrous upstarts.

6/01/11

It’s Big Event Week! We get the first round of Flashpoint tie-ins, as well as the latest core issues of that event and FEAR ITSELF. More importantly, Hickman/Weaver’s S.H.I.E.L.D returns! All the Lone Star in the world is not enough*. Let’s get right to it.

FEAR ITSELF #3—Everyone really operating at a super-optimized level, we are all of us students of Ellis, disciples even, but no mainstream working professionals more so than Fraction and Gillen, the WEF alumni, they’ve of course got their own unique voices, epitomized in CASANOVA and PHONOGRAM, naturally, but it’s interesting to consider how Ellisian, coined here pretty much as a synonym for “streamlined” or “anti-bullshit,” their voice is in the Marvel Universe proper. What I’m trying to say is Fraction seems to be making the same choices that Ellis would be making, given this gig. Which I’m very much all right with. This issue possibly fails to live up to the glorious perfection of its title, but that’s only because the title is so, so good. Just the recap page of pin-ups got me all gassed up, surely a good sign. It was a great ride, too bad about that fella at the end, there. If they’re going to charge $4 for every issue of this and only provide 22 pages, there really needs to be some backmatter.

FLASHPOINT #2—Man, when it comes time for the Big Event, that Johns does not bring the sunshine. “IT WAS REVENGE IN REVERSE” is a great Silver-Age line. This issue as a whole, though, a little bit thin. Kubert remains a hoss, but there’s not quite enough advancement of the main narrative here, especially given that we’re now 40% of the way home. Not bad, but I was expecting a little bit more, by now. Something of real consequence, that would ring forward down through the years of continuity and matter, forever and for all time! Is that too much to expect from DC this summer?

FLASHPOINT: BATMAN, KNIGHT OF VENGEANCE #1—Oh, never really even anticipated or respected how good it would feel to get a direct dose from this team, rolled through the hun’dedB in trades, but here last week and now again, such a fresh blast, Patricia & Clem, all the gang, this one’s already encroaching upon my Batman All-Time 25. Ten times better than those six issues in between Hush and Judd fucking Winick (as great as Dustin Nguyen is). It turns out Batman could be much more of a dick.

Whew! But those events were quite the thrill ride. What else is going on this week, you ask? Read on, Sequential Acolyte!

THE BOYS #55—Ennis puts this talky arc to bed with a serious bombshell in the Hughie/Annie dept. before a last scene that somewhat left me in the dust. Is Mother’s Milk the unseen individual? Is there significance that there are periods on the penultimate page, M.M., and then nothing on the final page, MM? I kind of feel like Ennis lost me a bit, and I wasn’t even blind yet.

WEIRD WORLDS #6—Huh. Two of the three stories are To Be Continued. That’s kind of a garbage thing to do to folks who sign on to a six-issue anthology starring Lobo and two brand new characters. I mean, it’s not like Garbageman and Tanga had to meet their final fates (hmm, well . .), but a bit more closure would be nice before kicking it out to the next title, MY GREATEST ADVENTURE (a title I can get behind, starring those two characters, not so much). Ordway really blew me away on that Lobo serial, I’m about ready for 200+ pages of whatever he’s in the mood to draw, dude is peaking.

SUPERBOY #8—Oh, hello love, here you are. After two months in the mire, one of my very favorite monthlies returns, chock full of Lemire/Gallo/Grant goodness. I guess all we’re going to wind up with is this last arc, and that will lead us back to the back-up story that was in ACTION many moons back. This is just, yeah, everything’s back in its right place. If Morrison’s BATMAN run in fact weathers The Shift, then this will by far be the greatest casualty of the new regime.

HOUSE OF MYSTERY #38—This one’s just my ideal velocity of madness. Sturges makes up a crazy enough short to utilize Lapham to his greatest deranged potential, and yeah, no one saw that last page coming.

ADVENTURE COMICS #527—Just when I’m on the verge of bailing, Levitz cuts off a slice here that just does a little bit more for me. Guess we’ll hang on through the summertime.


****

BEST OF WEEK: S.H.I.E.L.D. vol. 2 #1—Now, that’s what I call backmatter. This thing continues to be a triumph on every level. The best output from Marvel in years and years. Worth of being spoken of in the same breath as Simonson Thor or Byrne FF or Miller Daredevil. Glory, trapped in panels. Every page, a thrill.



*actually, as it turns out, a considerably smaller fraction of all the Lone Star in the world was more than enough to keep this edition from being fully completed (read, mainly expurgated of intoxicated madness) for an entire week. We here at Wednesday Night Mass apologize for this lapse and pledge to do better by you, our hypothetical and largely imaginary readers

5/25/11

Strong week.

FF #4—So, Barry Kitson is about as good of a fill-in artist as you could ever score. I actually got to the end of the second page and was like, Steve who? Totally blanked on the regular guy’s last name, which seems should maybe be the omega-level goal of any serious pinchhitter. The plot thickens to great hilarity at the Anti-Reed council. That page about Diablo liking those Reeds is priceless. Also the second last-panel-no-dialogue facial expression that Kitson just nails. Cool to see Alex Power nonchalantly suited up in the Gee uniform, after all this time. Still really really loving this. Hickman Hickman, hyperbole3.

THE MIGHTY THOR #2—A gorgeous issue that’s pretty much set-up for the slugfest to follow. Who will win? Who SHOULD win? Debate amongst yourselves.

UNCANNY X-MEN #537—Yeah, man, Gillen keeps nailing the tone of this, charting a nice line from Morrison’s run on NEW X MEN to Whedon/Cassaday’s romp on ASTONISHING and straight on over here, by way of Ellis and Fraction. Strong talent. The Dodsons continue to draw the beautiful. And oh noes! How will we get out of THIS ONE??!??

CAPTAIN AMERICA #618—Interesting structure here that I might or might not have remarked upon last month. The book costs $3.99, except instead of serving up the standard Marvel 22 pages, Brubaker drops three interrelated stories here, two six-pagers with art by Chris Samnee that bookend 18 pages of Bucky with pencils by Guice. Given the global scale of the current arc, it really works. It’s not looking good for poor ol’ Buck, but Natasha’s officially gone rogue, so I don’t think we should sweat it too much.

KIRBY: GENESIS #0—I’m about seven months into a serious Kirby bender, so have got to be the ideal demographic for this, meaning there’s almost no way to be objective about it. I mean, give me The King at his drawing board smoking his pipe on Page One and I’m pretty much yours, you can even keep the krackle down to a minimum at that point. This isn’t as much a single story as an overview, an overture, calling out the introductory themes of all this cosmic insanity that’s going to be coming our way here in the next little bit. And right here on the page, it promises to be quite a ride.

AMERICAN VAMPIRE #15—This arc’s leaving me a bit cold. The art is, as ever, stunning, but Snyder’s not really plugging me into the characters as much as I’ve grown to expect him to. That’s all right, keep holding the line at $2.99!

GREEN LANTERN #66—I’m digging this about as much as someone who’s skipping the other two tie-ins could be. Pretty rocking Chapters 1, 4, and 7. It doesn’t hurt that I just started crashing through Kelly/Mahnke’s excellent post-Waid/Hitch run on JLA and am finding interesting alignments in what Mahnke was doing then compared to where he’s at now, post-FINAL CRISIS SUPERMAN BEYOND 3D. It’s a shame about Mogo. I hear.

ACTION COMICS #901—I just have no idea what went wrong. Who the hell is Kenneth Rocafort? Why did editorial think that he was the call to follow Pete Woods? Did Paul Cornell actually generate this arc? Reign of the Doomsdays? It smacks of editorial mandate. And is terrible. Not since Bill Mantlo took over ALPHA FLIGHT from Byrne has a title’s quality made such an insane plummet. Horrific. I pretty much want to bail out on this. Can’t believe after a year of looking forward to Cornell writing Superman, this is the result. Things were going so well just two months ago.

DETECTIVE COMICS #877—Yeah, Snyder and Jock continue to kill it. Not much to add. This is a Batman comic for Morrison haters. And lovers! That’s pretty much all of us.

****
BEST OF WEEK: STRANGE ADVENTURES #1—Well, I thought Pope had a story in here, too, so that was a shame, but other than that, just really loved this issue. Eight bucks, nine stories in seventy pages with a single ad amongst them. An anthology in which every story pulls its own weight. Reminds me of that old TIMEWARP series DC used to put out in the very early 80s, just good trashy done-in-eight-pages sci-fi. The 2000AD model, I guess. I’ve never heard of quite a few of these folks, and they all did a fine job. Peter Milligan’s story came with the creepy. Lemire, of course, brings the fucking thunder to Ultra the Multi-Alien, gives the impression of pretty much exploring the character to his/their fullest potential, or at least maximum emotional weight, in eight pages. I mean, I was loving this character when it was over and can’t think of a single thing to do with him that doesn’t simply diminish what Lemire accomplishes here. Kevin Colden’s “The Post-Modern Prometheus” was fantastic. Cornell’s “Saucer Country” was, interesting? Is there more to come? It definitely leaves you hanging in an uncomfortable way. Which very well might have been the point. And “Spaceman.” Azzarello is certainly a master of inhabiting his characters’ dialect. And does not care if the reader has no idea what is going on. Was the driver on Mars? One of the 17 kids engineered by Dr. Franklinstein? And isn’t that CNN newsanchor Megan Dietrich? I mean, Risso is a master. We all know that he can draw more than one female character. There are many, many women in 100 BULLETS. It’s odd that he went with this look. OR IS IT IN-STORY GENIUS? Tune in next issue! Or, wait. There's a next issue, right?

5/18/11

TINY TITANS #40—Balthazar’s version of Croc is probably my favorite redesign of any of the four or five dozen DCU characters that populate this book, so getting an All-Croc issue is a very good thing. My kid was pissed, though, she’s got all 28 faces on the first page memorized and loves to bust them out every chance she gets, and when they up and added that fifth row of Batcow and Marvel family members, she did not appreciate it in the slightest. Probably have them down pretty soon, though. Can’t decide if it’s cooler that this book includes a character called Batcow or that they actually feature he/she/it on the front page right underneath Robin.

LATER . . . .

AVENGERS #13—Bendis pulls a hell of a trick, here, one that you’ve really got to step back away from to fully appreciate. He just straight-up zooms out from the oral histories he’s been rocking as backmatter since the relaunch and crashes those interviews into the main narrative. So, yeah, all of a sudden, it’s Bendis talking heads. And I know that’s a gripe with some people, but he does it so so well, I love it. Just crackling characterization. Of note, too, is the way that he fractures the interviews, spacing them out over years to excellent dramatic effect, oh, there’s the Wasp, these are all taking place pre-Secret Invasion, but then, no, they’re suddenly talking about the first issue of FEAR ITSELF. And what fanboy’s heart doesn’t beat faster at the sparks flying across the room between Hawkeye and Spider-Woman? Bachalo’s cartoony style is a great fit for all these interviews, he does a fine job of giving everyone distinctive expressions. So, yeah, even though the last two-page splash we pretty much already saw last month written by Fraction, even though they even drop the 22nd page from this issue and still charge $4, I’d say it’s still worth it. Maybe it’s the eight pages’ worth of 12-panel layouts. But Bendis makes it all sing. I mean, this entire thing is, by definition, set-up, there is no payoff whatsoever, but it’s so well done, I’m just enjoying the ride, and more engaged with the event than I was before, even.

INVINCIBLE IRON MAN #504—Fraction gives us maybe the best page of Tony and Pepper yet. Larroca continues showing up with the goods, as well, though something about D’Armata’s choices when it comes to coloring faces is putting me off. It’s like Tony’s wearing rouge or something. And it’s been going on for a little while, now. Regardless, the team lays it on thick and it doesn’t look like Paris will ever be the same. Sacre bleu!

GENERATION HOPE #7—I’m still really digging on this, loving the tone of the team dynamic Gillen’s got between these kids. Really reminds me of early Claremont NEW MUTANTS, which I mean in the best possible way. Espin got just a bit too cartoony for my taste on the last few pages, but it wasn’t a dealbreaker. Also a fan of these short arcs. On to the next thing.

X-FACTOR #219—Oh, Lupacchino, never never go. Ride this crazy train out with Peter David just as long as you both can make it. Digging on the return of silly to the recap, but that’s even trumped by the explanation for Jameson’s hair, after all this time.

FABLES #105—Ha, that cover is a hoot. Probably the first time anyone’s written the words “after Bogdanove,” I’m thinking. It certainly set the tone for a great deal more tension during Bigby’s confrontation with his father than it turned out was warranted. It really feels like all of these creators are in it to win up to #250 and beyond.

LEGION OF SUPER-HEROES #13—Mm, I still can’t decide if I want to hang on to these. They aren’t bad, they’re just not crushing me. Mon-El getting the ring is really the only development that I care much about, and that’s not what you want when you’ve got a cast of like three dozen. Will I hang out through #16? Stay tuned!

BATMAN: GATES OF GOTHAM #1—This fell just the least bit flat for me, but that’s pretty much because I got confused and thought Sean Murphy was working with Snyder on this instead of the AMERICAN VAMPIRE mini. And Snyder didn’t even do dialogue, as it turns out! Still, this Higgins chap turned in fine work and I was all right with Trevor McCarthy’s somewhat mangafied approach. I like the idea of exploring the secret history of Gotham. If everyone could be made to give such a shit about Opal City, well, you know, half of your work is done for you, here. Only speedbump is it looks like they’re bringing Hush in at the end, there? Not the bait for me, my friends, but I guess I’ll ride this one out anyway, since they finally kicked me off of BATMAN & ROBIN by bringing in Winick. You know, not just that, I think I still would have given it a shot, but not Winick writing Jason Todd, nuh-uh, not going to happen. Jason Todd’s still dead, you know. The Joker killed him. It was a really good story, and it happened.

****

BEST OF WEEK: ROCKETEER ADVENTURES #1—Good lord. Quite the devastation of talent. Cassaday & Martin lead off with a sublime eight pages, short on plot but long on wow, that perfectly set the tone for the character’s first time out while not under the watchful eye and steady hand of his creator. Of course, it’s a huge blast of wonderful to have the PLANETARY team reunited, with my man Johnny Cassaday picking up scripting duties like he can direct serial television episodes or something. Pacing was perfect, though there was no uppercut, nothing about these pages shocked me, but it just really did a fine job of nailing that timeless or classic tone that Stevens had down pat, the RAIDERS guy channeling perfect 40s pulp in the 80s.

Oh, man, and I thought Mignola was doing an entire story, not a pin-up. So, that was kind of a drag. But, great page, of course.

Then the Allreds convinced me to pull the trigger on that gigantic MADMAN ATOMICA thing for this Christmas. Am a huge fan of Mike’s askew hand-lettering. Guy is such a master at this point, once Cliff took to the air, seems only this one mind could have given that interpretation. Dude has got to be a fan of Brendan McCarthy.

Oh, but then that last one just sneaks in and gives it to you on the mouth. It was hard, reading it, not to picture what the previous art teams were thinking about while going through those final pages, just punching the air all freaked out. As much as I loved the first two stories, the structure of this thing just smashes them all to pieces, and then virtuoso Mike Kaluta and good old Dave Stewart really you can’t say anything but mop the floor with all the beautiful pages we’ve made it through. Just an insane level of detail in these pages, completely breathing the story to life. Perfection.

This was perfectly sequenced. The list of next issue’s contributor’s freak me out almost more than anything. Unless Joe Casey really hits that VENGEANCE thing out of the park, which I’m not particularly expecting, this one right here is already looking like a lock for best mini-series of the year. Just astonishing stuff.

5/11/11

FF #3—That invitation is a hoot. Hickman is still firing on all cylinders with this one. The only slight misfire is trotting old Uatu out, but that’s only because Bendis and Fraction have done the same thing in the past couple of months. If he shows up every month, you get diminishing returns on us believing that this is an oh noes! very big deal, fellas. Glad to get follow-up to what went on with Val and the alternate Reeds. “Sol’s anvil” is just a hell of an epithet, perfect for Reed. I’m a little bit confused on the timeline, we start out in the present and have the council, Val finishes her story, then we flash to MONTHS LATER, with the various Reeds running around setting up all manner of tomfoolery, then we cut to NOW, with three of the Reeds who were just running around wondering where the fourth Reed is from the last scene. Seems like NOW would be a jump back to the present after we got a glimpse of what’s to come. Regardless, this book is still a hell of a ride.

FLASH #12—Out of time, indeed. I just have no idea what they think they’re doing here. The first six issues was a great reboot, setting up a premise that could have lasted for years by taking Barry back to his forensics roots with a healthy dash of Steve Rogers-style man-out-of-time pathos. Six issues later, we’re cancelling and doing another reboot? Why should we invest in something that’s just going to be tossed aside in a few months? Which brings me to . . .

FLASHPOINT #1—This seems like a really ill-conceived event. Another watered down riff on Age of Apocalypse-style alternate universe hijinx. Just dumping an extra two dozen titles onto the rack for a few months does not seem like the way to go, I imagine most folks are just going to blow off the majority. There wasn’t a single hook in this issue to make me want to go track down what’s going on with would-be tyrants Aquaman or Wonder Woman or even Lois Lane behind enemy lines. So, clearly Zoom changed everything. I guess? We’ve certainly been given enough information in the FLASH monthly to assume that, but it would have been much more entertaining to get an Oshit moment analogous to when Legion fried Xavier instead of Magneto. I can definitely hang with five issues of this core title drawn by the always great Andy Kubert, but I’m afraid the tie-ins are going to just bomb.

THE UNWRITTEN #25—The story continues. Carey & Gross keep it entertaining. The endgame for this should be pretty great, whenever they get around to it.

JOHN BYRNE’S NEXT MEN #6—What is Byrne doing? I’m still enjoying these singles, but I have no idea what kind of a master plan he has for this. Yet another wtf last page, which I’m coming to expect, now.

NEW AVENGERS #12—Not too much to say about this, it’s more of the same. Deodato, Chaykin, Deodato, Chaykin. A bit stylistically incongruous, but they’re getting it done. Huh, just realizing that there was no oral history for the first time since these relaunched. It wouldn’t surprise me if Bendis just finally couldn’t keep up with the word count, he has really been pumping it out here, this past year.

JOURNEY INTO MYSTERY #623—Marvel pulled some serious alchemy here, taking the solid work JMS/Coipel were apparently doing and teasing that out into two series that are both quite compelling. Gillen gives us a Loki that remains true to the character, but who we can actually root for, no mean feat. And Braithwaite/Arreola’s art is lush and breathtaking. It seems like this book should have gotten more of a push this month, in particular. Maybe an initiative like buy it with Fraction’s THOR and save a dollar or something. Very entertaining. And hopefully yet another small step down the path that will end with Icon putting out PHONOGRAM vol. 3. Dare to dream, Wednesday night masses!

****
BEST OF WEEK: BATMAN INCORPORATED #6—By my count, this is the fifty-sixth issue of Morrison’s run that has spanned six years and counting and launched two new series. And just when it doesn’t seem like it could get any better, they find a way to blow the roof off and jet into the stratosphere. This monster team-up issue functions like a mission statement in action for the notion of Bruce running around setting up a global franchise for his anti-crime brand. The first five issues, as enjoyable as they were, now seem like nothing but set-up, we’ve arrived, the pieces have finally been set in motion and the game is afoot. The pacing on this thing is masterful, with several single-page scenes, giving us eleven different scenes splashed across the twenty-page issue. Which makes sense, is really the only way we can begin to grasp the challenge of setting up an infrastructure of this scale, one acolyte at a time. And the new character designs are intriguing. There isn’t as of yet a clear breakout star that you’ve just got to know everything about, but there are several cool spins on the old dark avenger archetype, and we haven’t yet met a new character that I wouldn’t happily check out in their own title, provided the creative team was up to snuff. It would be cool if Morrison would jam out a six-issue anthology of done-in-ones, each starring a different new character. Like Marvel did with YOUNG AVENGERS a couple years back. Cornell or Casey would also be good go-to guys for that, they’re the only two I’ve seen who haven’t fumbled Morrison’s ideas out of the gate.

And Chris Burnham. I really enjoyed his work in #4, and he does an even better job here, has got a very well-developed hyper-detailed sensibility that gives the pages a European look that’s a great fit for the scope of the story.

Simply put, I could not have enjoyed this issue more. There isn’t a wasted beat, panel, or line, everything packed in tight as can be in service of rocketing the narrative forward, and it is a thrill.

5/04/11

FEAR ITSELF #2—The art’s gorgeous. The story’s still falling a bit flat for me. Maybe that’s because, again, any serious development that happens in this issue is already revealed ahead of time. The White House getting blown up was on the Coming Next Month page last month, and the Hulk and Juggernaut getting possessed is on this month’s cover. And, granted, these aren’t really even like insane developments, as far as events like this go, but they were the craziest things that happened in the issue, and they had already been revealed to me, even though I go out of my way to not run into details like that ahead of time. I’m still thinking the back end of this is going to be pretty crazy, but Fraction hasn’t given us enough yet in the first two issues to make us care. Dude has just set such an unreasonable standard for himself with CASANOVA. But we must hold him to it!

THE BOYS #54—Man, no one makes an expositional infodump conversation more riveting than Ennis. What happens in this issue? The founder of The Boys continues his conversation with Hughie, connects some dots and fills in a few more blanks. That’s it. This entire arc looks to be pretty much just this one conversation, but Ennis is such a great writer that he makes it compelling. No mean feat. It’s kind of disingenuous to put Robertson’s name in the titles on the cover when his only contribution to this book is that cover.

HOUSE OF MYSTERY #37—Why is the paper grade so much more terrible in this book? I don’t really mind, just wondering. As usual, I had a little bit more fun with the story-within-a-story than the main narrative. Which is so great, you never know what you’re going to get with this title, but it’s always quality.

WEIRD WORLDS #4 & 5—Well, they forgot to pull #4 for me last month, so we get two for the price of two this month! No real surprises this time out, I continue to be impressed with the overall quality of the writing and art on this anthology. Ordway’s just killing those Lobo pages and Maguire’s Tanga is a lot of fun.

ADVENTURE COMICS #526—Mm, I think I might be dropping the Levitz Legion books. They’re not bad, just not terribly compelling either, and there are two of them. Not really caring about any of the characters. The past year has fallen short of the bar set by Levitz/Giffen back in the day and even the altitude where Waid and Kitson were cruising for a couple years in the early part of the 00’s.

SUPERBOY #7—We need to get Gallo back on art. Marco Rudy does an interesting job playing with a few different styles, but the overall effect comes off a bit haphazard, it doesn’t really cohere. Though we can probably find this week’s coolest moment right here, future Tim decking future amnesiac Conner in a shot that’s a straight homage to Miller’s classic THE DARK KNIGHT FALLS. And in other stripmining-the-80s news, Lemire brings back a permutation of the Black Mercy from that old Alan Moore SUPERMAN annual that came out twentysomething years ago. Hey, if you’re going to crib some ideas for a DC superhero book, those two guys are where you want to go. Come back next month, Pier Gallo! I want my book back.

****

No BEST OF WEEK, it was a pretty average pile this time out. But, hey! This marks the one year anniversary of this blog. Every week, without fail, bringing you the reviews that fill up your heart and make light shoot out of your eyes and, before long, all of your pores. Thank you for taking part in Wednesday Night Mass.